SOMA009 / NAZORANAI // なぞらない
Purchase
Details
Keiji Haino (guitar, vocals & synth), Stephen O’Malley (bass guitar) & Oren Ambarchi (battery).
中心の決意が 自分の中で 何度も何度も何度も 砕け散る事に 限りない歓びを 覚えよ
feel the ultimate joy towards the resolve of pillar being shattered within you again and again and again
近づくのが 歓びではなく 聖なる狂気と 呼ばれてしまうものも やっと現れてきた
not a joy to come closer but so-called a sacred insanity has finally appeared
少しだけ くぐもってきた
君の その挑戦状を 新たに 磨き直して 何かに捧げよう
getting a bit blurry
brush up your cartel and devote it to something
自分の 外で輝いている光に 全てを託すのではなく 自分の中に 在り続けている「どうしたい？」という祈りに気づき それを光として 自分の外に 導きださなければ もっと悪くなってしまうよ
not to leave everything to the light outside of you but to be aware of the prayer \"what do i want to do?\" that exists inside of you, and let that go out of you as a light, or things might get worse, no?
Recorded by Chris Fullard at Gâité Lyrique, Paris 8th November 2011.
Edited by Oren Ambarchi in Sydney January 2012. Mixed by Joe Talia & Oren Ambarchi at Chinatown, Melbourne 8th February 2012.
Mastered by Joe Talia at Chinatown, Melbourne 17th April 2012. Vinyl cut by Rashad Becker at Dubplates & Mastering, Berlin April 2012.
Artwork: Lars Teichmann “Bathing Girls” & “Nymphos” (detail, 2010, photos by Annette Apel), “Fever” (detail, 2010, photo by Martino Gerosa).
Oren Ambarchi has been an active colleague, we have collaborated on a number of SUNN O))) projects, and also SUNN O))) related projects, film scores, tours, meals etcetera over the years. He brought us to Australia for the first time in 2004 (see SOMA010 notes), we toured Israel with Attila Csihar as GRAVETEMPLE TRIO in 2006. Oren introduced us to Haino-san in 2006 when SUNN O))) played FIMAV festival in Victoriaville Quebec (Oren was in the ensemble on that tour), in a stinky locker room (the venue was a hockey rig). Had no idea what to expect but a few hours later he was on stage with us. It was one of those "what now" moments you never imagine happening having been a fan/follower of Haino's playing, concerts and recordings over the years. 5 years later somehow we ended up as this trio. Haino, Oren and I were all in Holland for one reason or another and decided to try it. I played bass for the first time on stage with this group. Maybe it shows but the idea was a power trio backing up Haino-san, with a lot of amplification. We had the chance to repeat the trio twice again so far, and this recording comes from a concert in Paris November 2011. It's hard to describe the lessons through realtime communication in music with such a master of form, but needless to say they were much different than what I was expecting and beyond! Proof again that expectations lead to dead ends. Was a most challenging experience in real-time music. I feel incredibly honored to be part of this trio. —Stephen O'Malley