IDEOLOGIC ORGAN #3 at CAFE OTO, LONDON 7th January 2013: Iancu Dumitrescu, Ana-Maria Avram, Mats Lindström
Posted: Nov 15, 2012
Third part of the ongoing co-curation at Cafe Oto in London was announced this week. PErformances by Iancu Dumitrescu, Ana-Maria Avram and Mats Lindström. I will be performing with Avram/Dumitrescu's ensemble as well. This series has been an interesting display of detailed nuance and conceptual music... this edition will reinforce that. Thanks to John & Hamish for inviting me to do this, truly enjoyable. We will announce #4 (April 2013) in the upcoming weeks... will also see my musical involvement.
From Cafe Oto's webpage
Monday 7 January 2013
Door Times : 8pm
The third event in our ongoing series co-curated by SUNN O)))'s Stephen O'Malley features maverick electro-acoustic composer Mats Lindström and new works by Romanian spectralist composers Iancu Dumitrescu and Ana-Maria Avram performed by The Hyperion Ensemble featuring the composers alongside Tim Hodgkinson, Chris Cutler and Stephen O'Malley.
Iancu Dumitrescu is considered one of the leaders of the spectral music trend at a worldwide level. In 1976 he founded the HYPERION Ensemble, proposing a new aesthetic in today’s music, hyper-spectral, based on the radiant power of sound, within its microcosmic complexity - which is questioned, analyzed, re-composed from a spectral perspective.
He centers his work on the phenomenological principle, which Sergiu Celibidache made him to discover, and which Dumitrescu applies to the composition itself, and on the idea of acousmatics. Acousmatics represents for Dumitrescu not only « the art of disguising a sonic source » in a concrete approach, but the very metaphor of the sound, infinite, cryptical alchemy applied to the sound material.
Iancu Dumitrescu has born the 15th of July 1944 in Sibiu, Romania, son of a University Professor and Mathematics teacher. He studied at the Musical Academy in Bucharest and followed that with systematic studies of conducting and musical phenomenology with Sergiu Celibidache. From 1966, for two decades he launches into a fervent musicological and journalistic activity working under incredibly difficult political conditions and cultural repression. At the same time he was working as a composer and his early discoveries of the sound core, the natural harmonics, the microscopic approach of the sound world etc. The idea of acousmatic. The Spectralism - have remained central in his composition since.
In the mid-seventies Dumitrescu started the Hyperion Ensemble, a fluid, artistic group of performers and composers who will occupy for 40 years, one of the most important and dynamic role in Romanian music.
After extensive explorations, he finally foresees his own vision on sonic world he has pursued since. Thus, the essential concepts of "phenomenological reduction" and "pure intuition" became functional in composition. According to Dumitrescu, it is the first time phenomenology is utilized as a true method of composition, which re-poses in question essential concepts, nevertheless hidden at that time: inspiration, vision, creativity, imagination.
In 1991 Dumitrescu inaugurated the EDITION MODERN CD Label in collaboration with Chris Cutler's "RER Megacorp". The label has released more than 20 CDs with the music of Iancu Dumitrescu and Ana-Maria AVRAM.
Dumitrescu is also Founder and Artistic Director of the International Music Festivals of Computer Assisted Music Acousmania, Musica Nova, Musica Viva and the International Spectral Music Festival SPECTRUM XXI - held annually in three European capitals.
He has created more than 200 works, chamber music, electro acoustic, orchestral music, computer music, etc.
Extended interview b/t Dumitrescu and Ryan Kirk
Ana-Maria Avram is a composer, pianist, conductor, born in 1961 in Bucharest, Romania. She studied composition at the National University of Music- Bucharest and musical aesthetics at Sorbonne, Paris. She has been a member of the Hyperion Ensemble since 1988. Her music is affiliated with the spectral music trend and incorporates the outward semblences of abstraction of archetypal sound, achieving its full development in the synthesis of electroacoustic and instrumental sources. She composed since now around 130 works, music for soloists, chamber music, music for orchestra, electronic music and computer assisted music including commissions from the Kronos Quartet (San Francisco) Ç 20 Jahrhundert È from Vienna, soloists from l’Orchestre National de France, orchestras as Bucharest Philharmonic Orchestra, Romanian National Orchestra, Romanian Radio Chamber Orchestra and L’Orchestre de Chambre de Roumanie amongst many others.
Mats Lindström works as a composer and a musician, often with strains of live-electronics. He often works with intermedia, scenic elements and visual arts as a complement to the music, and has worked both with music for concerts, theatre and dance as well as radio-art and sound installations. Formerly an engineer in the electronics industry Lindström has designed and constructed a number of unique electronic musical instruments and apparatuses. His LP 'МИГ' - including recordings from the Aviation Engines Museum in St Petersburg and pieces recorded for theatre and at Stockholm's EMS Elektronmusikstudion was released on Ideologic Organ in 2012.
Born in 1949, graduate in social anthropology at Cambridge, co-founder of the politically and musically radical group Henry Cow in 1968, Tim Hodgkinson has followed a restless and critical creative path. His compositions have been interpreted in such international festivals as: Spectrum XXI (Brussels, Paris, Geneva, London), Huddersfield Contemporary Music Festival (U.K.) where he was a featured composer in 2007, Craiova and Ploiesti Festivals (Romania), Guarda Festival (Portugal), Cantiere Internazionale d’Arte di Montepulciano (Italy), Konfrontationen Festival (Austria), Nordlyd Festival (Norway), Musique Action (France) and the European Symposium of Experimental Music at Barcelona. As an improvising musician on reeds and lap steel guitar Tim Hodgkinson has worked all over the world with many of the most acclaimed artists in the field and continues to be fully engaged in the celebrated Konk Pack trio with Roger Turner and Thomas Lehn.
Cutler started messing about with banjo, guitar and trumpet at school, settling for drums and playing shadows and other instrumental covers in his first band in 1963.
Subsequently he played in R'n'B and Soul Bands, winding up in 1967 playing in London's psychedelic clubs. At the start of the seventies, with Dave Stewart, he co-founded The Ottawa Music Co, a 22 piece Rock composer's orchestra, eventually joining British experimental group Henry Cow with whom he toured, recorded and worked in dance and theatre projects until it's demise in 1978.
In 1977 Henry Cow, The Mike Westbrook Orchestra and Frankie Armstrong formed a big-band and toured around Europe. After Henry Cow, Cutler went on to co-found a series of mixed national groups Art Bears, News from Babel, Cassiber, The (ec) Nudes, P53 and The Science Group. He was a permanent member of American bands Pere Ubu, Hail and The Wooden Birds and now works sporadically with John Rose, Fred Frith, Zeena Parkins, Iancu Dumitrescu, Peter Blegvad and Stevan Tickmayer.
Other lasting collaborations have included Aqsak Maboul (Belgium), Lussier/Derome and Les Quatre Guitaristes (Canada), The Kalahari Surfers (Africa), Perfect Trouble (Germany), Between (Sweden), N.O.R.M.A., (Italy), Telectu (Portugal), Mieko Shimizu (Japan),The Hyperion Ensemble (Romania), The Film Music Orchestra, 'Oh Moscow', Gong, The Work and Towering Inferno (UK), The Residents (USA), and stateless Tense Serenity and Mirror Man. There have also been countless improvisational groupings and solo performances. Recent projects include Radio pieces with Lutz Glandien and Shelly Hirsch, Live Soundtrack for Carl Dreher's Vampyr (with Italians Musci and Venosta), his Timescales project and work with David Thomas and Linda Thompson.
He also founded and runs the independent label and distribution service ReR/Recommended and, until 1991, the East European specialist label Points East. He is editor of the New Music magazine Unfiled and author of the theoretical book File Under Popular as well as of numerous articles and papers published in 14 languages. He lectures intermittently on theoretical and music related topics. He has appeared on more than 100 recordings.
O'Malley is a founding member of several groups including Sunn O))), Burning Witch, KTL, Khanate. He has collaborated with a variety of artists including Greg Anderson, Merzbow, James Plotkin, Julian Cope, Joe Preston, Attila Csihar, Peter Rehberg aka PITA, Lee Dorrian, Kristoffer Rygg, Aaron Turner, Oren Ambarchi, Alexander Tucker, and percussionist Z'EV.
O'Malley also worked with the French choreographer and theatre director Gisèle Vienne, American sculptor Banks Violette, the Italian performance artist Nico Vascellari and the Belgian film maker Alexis Destoop. He also curates the Ideologic Organ label.