Magpie, part of Arthur's continuing mission to keep Earth weird, is updated daily by Arthur editor Jay Babcock. Like a scrapbook of interesting found stuff, made public. Dig it daily at www.arthurmag.com/magpie/
| MAGPIE | 13 10 2004 | |
| MAGPIE, THE ARTHUR SORT-OF BLOG.
Magpie, part of Arthur's continuing mission to keep Earth weird, is updated daily by Arthur editor Jay Babcock. Like a scrapbook of interesting found stuff, made public. Dig it daily at www.arthurmag.com/magpie/ | ||
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| Romancing the stones | 13 10 2004 | |
| October 10, 2004
Pop Romancing the stones Julian Cope, former rock god and pagan poet, has an oddly Establishment sideline — he’s a whizz on archeology, as his latest book proves. By Stewart Lee Julian Cope, the former lead singer of the chart-topping 1980s pin-ups the Teardrop Explodes, is playing a secret solo show in the back room of a community arts centre in the Hampshire frontier town of Aldershot. Union Jacks flutter in all the pubs. Cope’s hair is, by some margin, the longest in the surrounding area. On stage, alone, in a floppy hat and sunglasses, he surveys the small but swollen space and modestly takes stock of the situation. “I know I’m not current,” he laughs, “and I don’t believe I’m timeless. I am in my forties, and in sight of 50. And once you’re over 50, 60’s not far away. And then you are allowed to be legendary. So I just have to keep my head down and keep working. Then I can be legendary.” To many, the antics that have characterised Cope’s career are already the stuff of legend. He appeared on the cover of his second solo album wearing only a turtle shell, protested against the poll tax dressed as a giant baby from space and is winning new fans in America with his “ambient metal” project, LAMF. To most people, Cope admits, he is “that World Shut Your Mouth guy”, best known for the anthemic smash hit to which even Terry Wogan succumbed in 1986. But perhaps his strangest achievement is the completion of two heavyweight books on prehistoric archeology, the second of which, The Megalithic European, is published this month. Its predecessor, 1998’s The Modern Antiquarian, a colour-coded gazetteer of British prehistoric sites, was the answer to a prayer for those of us who had spent years trekking across moors to stone circles on advice pieced together from quasi-mystical pamphlets or dry academic tomes. Stand at the centre of the Orkney mainland with The Modern Antiquarian in your hand and lost civilisations rise up around you. Now Cope has applied the same utilitarian ethic to the monuments of continental Europe. At his home in the Wiltshire countryside, within striding distance of the stone circle at Avebury, he holds forth. “My job is to make uncool things seem cool,” he says, his foot up on a kitchen chair, like a rock star bestriding a monitor. “If you can find a way of presenting these things correctly, people will get into them. And if you can get people out of believing that stone circles are about wellington boots and anoraks, that they can be elegant, why not do it? When I put together my Scott Walker compilation album, for example, he was just thought of as a git. I am a total field worker. I get into things and go to places and see if they do it for me — and if they are going to do it for other people. Is there enough remaining above ground? Or, if the thing is underground, is it superbly underground? Is it the mother of all underground temples? Is it a hypogeum from hell? Can you go in and lose yourself?” Initially, I’m uncertain whether Cope is using subterranean prehistoric temples as a metaphor for the 1960s balladeer Walker, or whether he is actually talking about subterranean prehistoric temples. Then I realise that it’s both at the same time. Cope in conversation doesn’t so much free-associate as make entirely unrelated ideas occupy exactly the same space. He has barged into the world of archeology with the open-minded enthusiasm of the very gentleman amateurs on whose work the science was historically built. Has he been welcomed? “There are two types of archeologists,” he explains, putting down a toy wooden guitar he is making for his 10-year-old daughter, who wants to attend the local Hallowe’en event as Angus Young from AC/DC. “The older guys are pleased to be able to debrief to someone. They are like spies, with all this information, so they can afford to be generous. Aubrey Burl — who writes books with flat names like Stone Circles of the British Isles — and I get on really well. I can call him up and go, ‘Aubrey, I think I’ve found a new stone circle.’ And he goes, ‘I suppose it’s quite possible, but don’t tell my wife, because I’m too old to start visiting it now.’ If I’ve ever had a problem, it was with archeology’s middle management, which felt we should have taken more official routes.” Invited to lecture at the British Museum in 2001, Cope chose as his subject the Norse god Odin in Christian symbolism. “I went from Odin to Christ via the various pagan precursors of Christ. The nice old guys in dicky bows at the British Museum had been saying, ‘You’re not the normal kind of person we have here, but you do it the way you want.’ So I did the lecture in full face paint and five-inch platform shoes — two nights, sold out. It was amazing.” In The Modern Antiquarian, Cope’s analysis reflected his own performance background. Stones with quartz in them would look great glittering in the moonlight if you were a prehistoric audience on mild natural hallucinogens watching the ancient equivalent of Julian Cope. At the Lyric Hammersmith earlier this year, Cope’s own persona seemed influenced by his archeological imaginings. In psychedelic combat clothes, giant shoes and face paint, Cope became an absurd priest-clown figure and spent most of his two-hour set in the audience, declaiming over a primitive punk-metal backdrop. “Being on stage, dealing with an audience, with hysteria, with a really barbarian art form, is the closest you get to a religious experience,” he says. “The shaman and the showman are inextricably linked. Little Richard recognised that. Jerry Lewis was damned the moment he opened his mouth. Cliff Richard and Tommy Steele, however, were never in any danger.” The Aldershot show was supposed to be low-key, reacquainting Cope with live performance after months of writing. But with him, nothing is ever low-key. The fanatical fan base is out in force, undiluted by the less evangelical onlookers present in bigger venues. Cope is derailed by enthusiastic interjections from proprietary fans and the show lurches from one interruption to another. There’s a section of every Cope crowd that thinks he is their own private cult figure, a rock legend they can still reach out to and touch, insult or fondle at will. Tonight, guitar in hand, Cope appears happy to indulge this. However, there is a mighty 4WD in the car park, waiting to whisk him back to Wiltshire, where, one suspects, he is already planning his next adventure. “I’m in a unique position,” he had said earlier, “but through luck, not judgment. There are people from my time, like Billy Bragg or Nick Cave, still doing everything with real dignity, but they have their feet in the officially straight world. There might be a South Bank Show on them. But me? I’m doing an ambient-metal installation in a Greek art gallery and writing about ziggurats.” The Megalithic European is published by Element on October 18 taken from London Sunday Times | ||
| The return of CAVEMAN SKULL | NYC | 13 10 2004 |
| & friends...
Doing a set together with the mystical TEETH. DJ set will be less uhh... abrasive... than a few weeks ago. | ||
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| GINNUNGAGAP 1000% DOWNER 12"s! | 11 10 2004 | |
| Just have been informed that the 1000% Downer 12" will be ready by weeks end! Please see the Aurora Borealis website for more information about ordering.
the 12 white label/screened test pressings of the album | ||
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| ATTILA @ ATP | 10 10 2004 | |
| Found this great photo recently. In Honor. | ||
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| SUNN O))) The Horn & The Spear | Syre remix | 10 10 2004 |
| EM SYRE performed heathen augury on WHITE1 and offers up this remix free for download.
SUNN O))) The Horn & The Spear 1 SUNN O))) The Horn & The Spear 2 SUNN0))) - ''The Horn And The Spear'' - ems remix Original material taken from the White1 release; edited, manipulated and remixed using Cubase SX 2.0 by Eric Syre in the summer of 2004 Eric Syre: http://www.thesyre.com http://radicartdesign.cjb.net derubermensch@hotmail.com SUNN O))) The Horn & The Spear artwork via EM SYRE | ||
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| ANGELA strikes! | 10 10 2004 | |
| ARTHUR MAGAZINE, in association with the KORK AGENCY presents:
a CMJ Come Down. Sunday October 17th Mercury Lounge 225 E. Houston St. New York, NY 10009 7PM Doors, 7:30PM DJ's TEETH & CAVEMAN SKULL 8:30PM Tyondai Braxton 9:15PM Dan Friel 10: 00PM Double Leopards 10:45PM PG Six 11:30PM Growing Finger food and AV stuff too.. Tickets: $8 Advance/$10 doors. | ||
| SLINT | 07 10 2004 | |
| Slint Possibly Gearing Up for Reunion
Rob Harvilla reports: The short version of this story, our fellow Slint-worshippers, is that the band isn't reforming. Officially. Yet. Or something like that. Despite several months of joyful, optimistic rumor-mongering, the deified Louisville sluggers-- responsible for Spiderland, Pitchfork's 12th best record of the 1990s-- are not slated to appear at the UK All Tomorrow's Parties hoedown in December. This will certainly devastate the folks at former Slint bassist Dave Pajo's Papa-M.com forum, wherein the rumor first built up steam, arousing much euphoria and preemptive groveling ("I WILL SLEEP WITH ANY PERSON ON THIS BOARD IF THEY WILL PAY FOR MY AIRFARE TO THIS CONCERT. I CAN HANDLE THE TICKET, AND THE SEX"). Apparently, early ATP online press for the December "Nightmare Before Christmas" show-- picked up on by webzine Drowned in Sound and subsequently retracted-- appeared to tout Slint's appearance, but all remnants of that discourse have since disappeared. However, the hunt doesn't end there, or why the hell would we be bothering you with this report? Pajo (currently of Papa M, formerly of Zwan) also maintains a blog at PinkHollers.com, and his September 16th entry sent hearts aflutter once more with its surprisingly direct allusions to a Slint reunion: "September life's orbit quickens around the nucleus of love. early man oscillates the host vehicle relentless by day, and papa m rejuvenates by night. and somewhere slint, a band from louisville kentucky, kicks with early signs of incubation. always we need more food and sleep, and who knows where the energy reserve is stored, but we push on vital and elastic and sensitive to higher thoughts that snap us out of baboon mind." Reached by Pitchfork via email to validate/explicate this info, Pajo gave a response somewhat revealing in its lack of denial: "For the nonce, there is nothing to report. thanks." Well, okay, then. Considering that much of this speculation stems directly from one of Slint's former members, it feels like a safe bet that something is going to happen, but we'll be damned if we know what. An actual surprise appearance at The Nightmare Before Christmas? Probably not. A reunion tour of some kind? Maybe so-- it's certainly in fashion at the moment. A new album, perhaps Spiderland 2: The Regenesis? We can only hope. In any case, we'll be sure to keep you apprised of any future developments. .: Pitchfork Feature: Top 100 Albums of the 1990s: 20-11 .: Papa M: http://www.papa-m.com .: David Pajo's Blog: http://www.pinkhollers.com .: All Tomorrow's Parties: http://www.atpfestival.com taken from www.pitchforkmedia.com | ||
| Julian unleashes! | All hail the Drude | 07 10 2004 |
Porskaer Stenhus, Denmark, ©JULIAN COPE THE MEGALITHIC EUROPEAN PUBLISH DATE: 18th October 2004ce "THE MEGALITHIC EUROPEAN is the conclusion of a 10-year odyssey that began with my research for its predecessor, THE MODERN ANTIQUARIAN, and took me far beyond the prehistoric sites of Britain dealt with in that first book. From here I literally journeyed from the temple circles of Ireland to the stone boats of Scandanavia and megaliths of the Mediterranean. What emerged was a 21st-century travelogue through some of the oldest structures in the world. I also realized that no-one had even attempted a thorough look at Europe before, and even the existing books that had skimmed the surface were long out of print. THE MEGALITHIC EUROPEAN is my second huge guide to the first monuments of humanity, this time taking in over 300 prehistoric sites on mainland Europe and in its islands. the essay section examines the mystery of our prehistoric beginnings in order for us to understand and enrich our lives in the here and now. The gazetteer section is relentlessly thorough, with detailed instructions on how to get to these sites, and is stuffed as full as I could make it with over 800 colour photographs, maps, antiquarian drawings, reconstruction illustrations of these sacred places, and my own black and white drawings which just seemed to multiply as I moved from place to place. The secret weapon of this book is the surprising accessibility of these prehistoric megaliths. British travellers love to go abroad and the megalithic sites just happen to be in many of the places the British love to go already. Perfect. Low cost airlines can whizz you to places you've barely heard of and you're only a half-hour away from great stones! Mums or dads who always spoil their kids' holidays with re-routes away from the beach onto Bodmin Moor can now set their kids up and troll around umpteen Sardinian, Menorcan, Mallorcan, Maltese, Italian, Spanish, Portuguese, Breton or Irish stone circles, etc. Compromises can be had in the northern sites around the Baltic, where kids will be happy to spend the summer in clean seas, with megaliths close to the Dutch, German, Danish and Swedish coasts. I felt that a British overview could get open-minded travellers out there to the monuments themselves - an ideal way to move the study up one further notch, getting some kind of dialogue going that will allow us all to see the context of our ancient past. I'm past the stage of trying to theorize about these places. I know what I believe, but I'm more interested in getting other people to see for themselves. Yes, the book is heavyweight and archaeologically thorough, but, better still, it's full of amazingly photogenic sites across Europe that would make anyone travel!" —JULIAN Also, here are the dates for Julian Cope's The Megalithic European book tour - more are likely to be added. All dates to include a talk and signing. Don't miss this! See the Head Heritage website for more information and updates. Tuesday 19th October 6:30pm London B5 auditorium, Franklin Wilkins Building, Stamford Street, Waterloo, SE1-9NN Wednesday 20th October 7pm Ottakars, Salisbury Lecture Theatre Museum Thursday 21st October Time TBC Ottakars, Banbury Mill Theatre Monday 25th October 7pm Waterstones, Canterbury Tuesday 26th October 7pm Waterstones, Leeds Wednesday 27th October 7pm Waterstones - Deansgate, Manchester Thursday 28th October 6.30pm Waterstones - Sauchiehall Street, Glasgow Tuesday 2nd November 7pm Waterstones - New Street Birmingham Wednesday 3rd November 7.30pm Gothic Image - Town Hall, Glastonbury Thursday 4th November 6.30pm Waterstones, Bath | ||
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| Lowriders | 06 10 2004 | |
| Thanks Slimm. | ||
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| FORESHADOW interview | 06 10 2004 | |
| Newcastle's son, Pete Burn, and I talked at the start of this year, this was the resulting interview, just being published now. Mostly talked about details of the music over the years and some broad modern politic. Also, drugs were discussed. Keep in mind this was when WHITE2 was being placed in the finishing oven, so it was still a bit fluid.
The bleak stairwell of W 108th street. | ||
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| LOTUS EATERS | 06 10 2004 | |
| The redesigned DR-55 sleeve, for a small reissue the great Drone Records will make of this piece, most likely prior to year's end. Mr. Seldon Hunt did the artistic honors (or I should say, we were so honored) and I tweaked it from the original here and there.
Last verison of this came out June 2002 in edition of 250 copies. | ||
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| CroMonoliths for an Iron Age | 06 10 2004 | |
| Labels upcoming tour-only 12" featuring Catch 22 (Surrender or Die)//MERZBOW & Rule The Divine (Mysteria Caelestia Mugivi)//EARTH. Both tracks were remixed by SUNN O))).
Also forthcoming: SUNN O))) "The GrimmRobe Demos" CD/Gatefold 2LP reissue on Southern Lord (sunn37/January 2005). CD will feature live track from 1998 titled Grimm & Bear It (previously only appeared only on the scarce FOTB vinyl edition), 2LP to feature an altogether unreleased track tentatively titled Dusk: ReHearseHell 1998. Be forewarned! | ||
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| Another great 20th century heathen goes down | 06 10 2004 | |
| RIP
"When I was born, I was so ugly the doctor slapped my mother." -Rodney Dangerfield, 1921 - 2004 | ||
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| SHOP | 04 10 2004 | |
| A few new items were added to the [SHOP]:
KHANATE/EARTH/ASVA poster KHANATE No Joy/Dead 12" KHANATE West coast tour shirt MARZURAAN Solid State CD | ||
| MYSTICUM | 01 10 2004 | |
| We are glad to hear that the Norwegian proto-deathpsyche blackmetal/industrial act known as MYSTICUM has reissued their early 1990s demos in the form of a compiled CD recently, titled "Lost Masters of the Universe". This group, who disbanned after releasing only one album, 1995s “In the Streams of Inferno” (also recently reissued on the Italian label, AvantGarde), a split 7” with ULVER and a handful of demos, seem to be seeping back into the miasma. Their moments of inversion happened in 1997, after signing with the fake dotcom-fueled label WINTERMOON (if I recall the name correctly), who was associated with the infamous Necropolis Records of Fremont, east bay, CA. This label was to support them with touring and their supposed pinnacle album “Planet Satan”. Seemed too good to be true and was. The band retreated for years, yet a surprise split 7” with Norwegian deathrashers AUDIOPAIN emerged early this year to our pleasure (track title “Black Magic Mushrooms”). One of the more obtuse acts involved with the old DSP (who were to originally release “Streams..”)... and still recommended from this perspective.
Can you also explain the lyrics of "Black magic mushrooms" to us? Musically this time you also used a strange synth at the end of the song that gave the impression of having taken too many mushrooms while listening to it. Is this also the direction your heading for with Mysticum? The lyrics is about tripping on psychedelic mushrooms, which in our way is the key to enter a world hidden from the normal state of mind, a world with no limit for what’s right and what’s wrong. It’s a wonderful chance to face yourself and see if you really are the one you think you are, because a lot of people walk around without knowing that they pretend to be someone that’s not them. I would really like to see some of the so-called evil black metal ‘souls’ chew on a bunch of these mushrooms, heh-heh-heh…Newer material from Mysticum will probably differ some from this song. We will have one song that may be similar to "Black magic mushrooms" in a way. It’s called "Lucifer in the sky with demons". Mysticum/Planet Satan website. You can download the entire “Streams...” album here for free. 2004 Interview on Vampire Magazine MYSTICUM circa 1995 | ||
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| COLD MEAT INVADES THE STATES | 30 09 2004 | |
| 4 Top industrial Swedish bands from CMI
BRIGHTER DEATH NOW RAISON D'ETRE DEUTSCH NEPAL BOCKSHOLM New York NY: Thursday, October 21st, Siberia NY http://www.siberiany.com/ 40th and 9th contact: panzerrune@decadence.net Austin: Friday, October 22nd, Elysium Nightclub www.elysiumonline.net 705 Red River @ 7th Street ticket info: burnout@comradeburnout.com San Francisco Sunday, October 24th, The DNA Lounge 375 11th Street @ Harrison http://www.dnalounge.com/calendar/2004/10.html#24 | ||
| ALICE COLTRANE interview | 30 09 2004 | |
| The Tavis Smiley Show, September 23, 2004 · If jazz legend John Coltrane has disciples -- musical or otherwise -- chief among them would be his widow, Alice Coltrane.
Alice Coltrane, now 67, met her husband when they were both touring jazz musicians -- she was a noted bebop jazz pianist and classically trained musician. She shared with her husband a passion for both music and the spiritual side of human experience. At one point, she joined her husband's famed quartet on piano, replacing jazz great McCoy Tyner. When her famous husband died of liver cancer in 1967, Alice Coltrane became a fierce guardian of his vast musical estate. She was also left with the task of raising their four children. She continued with a string of well-received albums, but quit the jazz world in 1978. Now, after a 26-year hiatus, Alice Coltrane is back with a new CD, Translinear Light. The title is a play on the Coltrane name, and also a nod to Alice Coltrane's deep spirituality. "Look at what trance means," she tells The Tavis Smiley Show producer Roy Hurst. "It means to transcend... it means to become transcendental! So if we get a singular transcendental path of light, that could lead to such great dimensions of consciousness, of revelation, of spirituality, of spiritual power." Alice Coltrane will join her son Ravi Coltrane and artists Savion Glover and Branford Marsalis in a concert to benefit the John Coltrane Foundation on Sept. 30 in Los Angeles. Click here for a link to the Tavis Smiley interview and exceprts from her new album "Translinear Light". Text taken from the Tavis Smiley homepage. Photo: Roy Hurst, NPR | ||
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| Brownies | 30 09 2004 | |
| Seldon Hunt's Chocolate Brownies Recipe
175 grams of butter 1 cup of good quality choc chips or finely chopped chocolate 1 teaspoon of vanilla essence 3 eggs 1 cup of white sugar 11/4 cups of flour 1/2 cup of chopped macadamias 1/2 cup of raisins (optional) Preheat the oven to 180°C, 350°F or gas mark 4. Grease a sponge roll tin or oblong baking dish. Place macadamias on a baking tray and roast until light golden for about 8 minutes. Remove and allow to cool before roughly chopping the nuts. Using a double boiler or microwave, melt the chocolate. Melt the butter separately to avoid burning the chocolate. In a large bowl mix together the melted butter, chocolate and vanilla. Set the mixture aside until it is lukewarm. Whisk the eggs and sugar into the mixture. Sift in the flour and sprinkle over the raisins and nuts. Fold gently until the mixture is just combined. Pour into the greased dish and bake for 20 to 30 minutes until the brownie is cooked around the edges, but still soft in the middle. Cool and cut into squares. Sprinkle with icing sugar if desired. (Makes 12 large brownies) | ||
| 29 09 2004 | ||
| THESE SHOWS ARE NOW BOOKED, MORE INFO TO COME.
SUNN O))) Rather Grimm 2004 Mo 29 Nov Birmingham The Custard Factory Tu 30 Nov Leeds TBC We 01 Dec Newcastle The Cluny Th 02 Dec Scotland Glasgow Oran Mor Fr 03 Dec Nr Irleand Belfast The Pavillion Sa 04 Dec Ireland West Cork Connollys of Leap Su 05 Dec Ireland DublinThe Village Mo 06 Dec England Manchester Roadhouse Tu 07 Dec England London The Scala We 08 Dec England Bristol TBC Th 09 Dec England London Peel Session Fr 10 Dec Greece Athens AN Club | ||
| CIRCLE | 28 09 2004 | |
| *****CIRCLE live in the UK October 2004*****
08.10. Bristol / The Croft (UK) *****(with Fuzz Against Junk) 09.10. Leeds / Holy Trinity Church (UK) *****(with Guapo, Jazzfinger, LAKOM, etc) 10.10. Newcastle Upon Tyne / The Cluny (UK) *****(with :ultralyd, Jazzfinger Sound System) 11.10. Edinburgh / Studio 24 (UK) *****(with Moniak) 12.10. Nottingham / Rescue Rooms (UK) *****(with Oxes) 13.10. Liverpool / Heaven & Hell Club (UK) 14.10. Exeter / Three Fat Fish (UK) 15.10. London / The Spitz (UK) *****(with Guapo, Sunroof!) 16.10. Brighton / The Engine Room *****(with Raised By Wolves, Charlottefield, Southall Riot) | ||
| MOOG MOVIE | 27 09 2004 | |
| MOOG
A Plexifilm Release / A ZU33 Production executive producers GARY HUSTWIT / KEITH YORK produced by RYAN PAGE / HANS FJELLESTAD written and directed by HANS FJELLESTAD MOOG trailer [1:44] MOOG hits theaters September 24 Press Contact: Gabriele Caroti Bob Moog (b. 1934) has been inventing and building electronic musical instruments for nearly half a century. Still active in his workshop in rural North Carolina, Moog continues to shape musical culture with some of the most inspiring instruments ever created. Moog explains that he "can feel what's going on in a piece of electronic equipment... it's something between discovering and witnessing." And he is convinced that many musicians come to "feel" a circuit in a similar way. "They make contact." In fact, musicians make such strong emotional connections with the electronics inside a Moog synthesizer that Moog himself has reached cult hero status. Moog has not only made prodigious contributions to modern music and culture, but he has become a character within an unfolding "American maverick inventor" mythology. Moog certainly walks and talks the "mad scientist" part, complete with the fly-away white hair, intense eyes, eccentric mannerisms and a head full of stories. This feature documentary film – by filmmaker/musician Hans Fjellestad and the producer team behind Frontier Life (2003) – explores Moog's collaborations with musicians over the years, and his ideas about creativity, design, interactivity and spirituality. The film was shot on location in Asheville, New York, Los Angeles, San Francisco, Tokyo and London, featuring appearances by Keith Emerson, Walter Sear, Gershon Kinsgley, Jean-Jacques Perrey & Luke Vibert, Rick Wakeman, DJ Spooky, Herb Deutsch, Bernie Worrell, Pamelia Kurstin, Tino Corp. with Charlie Clouser, Money Mark, Mix Master Mike, and an eclectic mix of performers. Artists such as Stereolab, Meat Beat Manifesto, Tortoise, Money Mark, Luke Vibert & Jean-Jacques Perrey, 33, Moog Cookbook, Plastiq Phantom, Psilonaut, Bernie Worrell & Bootsy Collins, Roger O'Donnell, The Album Leaf, Pete Devriese, Bostich, Charlie Clouser, Baiyon, Suzanne Ciani, Gershon Kingsley, Doug McKechnie, Electric Skychurch and others are contributing original music produced on Moog instruments for the soundtrack. Additional discoveries like vintage films borrowed from dusty private collections round out this stylized, wonderfully strange story of a true American maverick. Theatrical release opens September 2004 and DVD release worldwide Spring 2005 – distributed by Plexifilm. The soundtrack CD is available now on Hollywood Records. Look here for more info on the film's website. | ||
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| 27 09 2004 | ||
| In the words of Jennifer Black:
"OAKLEY HALL (10:30pm) and THE OSPREYS (9:30pm) will be playing at Mercury Lounge a week from today, Monday Oct 4. whether you have or haven't been out to see us yet, please come to this show - not only is the sound at mercury typically good, senior barry london will be mixing at the boards. HELL YEAH! they're also on our shit to get a good turnout, so if they ask you who you're there to see and make you pick one band, please tell 'em Oakley Hall. being the BEST FUCKING BAND IN TOWN they deserve to play a better night than a monday and i guess that's how things work in this strange and mysterious place we call "Manhattan"." | ||
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| CAVEMAN SKULL | 26 09 2004 | |
| CAVEMAN SKULL: Vice vs Brooklyn BangOut 092404 playlist
Ice Monkey//Saint Vitus Cleveland Ohio//Granicus Bang Song 1,1//Witchcraft Evil Seed//Pentagram Atomic Bombs Away//Blues Creation The Queen//Bang! Almost Human//Kiss Hell Hound//Sir Lord Baltimore (Anesthesia) Pulling Teeth//Metallica Kirkjur Skola Brenna//Vondur Massacre//Bathory The Malefice//Pentagram Slaughter In A Grave//Voivod Buried Alive//Venom Raise the Dead//Venom Pull the Plug//Death Horus/Aggressor//Hellhammer Morbid Tales//Celtic Frost Before The Creation Of Time//Unleashed Sentenced To Death//Nihilist Holy Hell//Possessed 616//Craft In This Slaveship//Leviathan Blueprint Soul//Confessor The True Story About Doctor Faust's Pact With Mephistopheles//Mystifier Wake Up (Featuring Jay-Z)//Missy Elliott Lil' Ghetto Boy//Dr. Dre, Snoop 1916.Gada Marts//Skyforger Desecration Of Virgin//Sarcófago Apolokia II: Aikolopa 666//Impaled Nazarene Kuldeblest Over Evig Isøde//Dødheimsgard Wolf and Hatred//Ulver Beyond The Apocalypse//1349 A Sculpture Of The Night//Marduk Impure Orgies//Impaled Nazarene Mezi kopci//Master's Hammer Sadomatic Rites//Beherit Goat Perversion//Impaled Nazarene The Hammer//Motörhead Huge//Boris Go Ahead John (part two a)//Miles Davis Ain't Got Hung On You//Sir Lord Baltimore An Elizabethan Devil Worshipper's Handbook//Mystifier At My Funeral//Sigh Black Breath//Repulsion Bastards Will Pay//Trouble The Crown Bearer//Abigail Mental Orgasm//Zyklon B Dark Wickedness//Osculum Infame Maanens Natt//Manes Black Salvation//Watain Stemmen Fra Tarnet//Burzum Paragon Belial//Darkthrone Damnations Pride//Destroyer 66 Black Seed Sown//Nazxul Condor//Aura Noir Message//Root | ||