"Entartete Kunts 16 06 2008
 OPENING RECEPTION
Friday JUNE 20
7pm-10pm
OPTIC NERVE ARTS


ACHTUNG!

"Entartete Kunts” is a bastardization of the German term “degenerate art” and a snide reference to the 1937 Nazi purging of all art deemed objectionable by "Der Führer." This unfortunate pun seems somehow appropriate for a bunch of drooling degenerates that consistently crank out uncompromising eyesores with seemingly little regard for commercial viability or good taste. As it turns out, the title also insures that many local businesses will refuse to display the flyer or otherwise promote this annual optic apocalypse. Entartete Kunts is in fact a very special exhibition that assembles some of the most devoted artists from around the world for a rare glimpse into a thriving and still largely renegade culture!

SUPPORT REAL UNDERGROUND ART!

Our allies at Optic Nerve Arts have made special arrangements for this exhibit and will not be taking any percentage of final sales from this show! That means if an artist sells their work, the artist keeps all the money! This sort of deal is unheard of in the "art world". So come out for the Opening Reception June 20th and BUY ART! You’ll walk away with a piece of history knowing you did your part to support creative resistance in this age of quiet desperation, soulless conformity, and just plain old boring decency. Which side are you on?

WHO ARE THESE DEGENERATES?

J. Petagno is an icon of unbridled expression! Born under a bad sign in 1948, Petagno has unassumingly created some of the most deeply revered and unmistakable album cover art of our time. From vintage Motorhead and Alice Cooper to Angelcorpse and Thy Infernal, his art never fails to smash the retina like a broadsword to the skull! Petagno's work combusts like a Frazetta painting on methamphetamines and bad acid (not to mention bad politics), each brush stroke forging a strange and grotesque order from the frenzied maelstrom of color. His paintings often possess a mandala-like symmetry that betrays his artistic roots in the heady daze of 60's psychedelia when he created headshop posters and eventually went on to collaborate with acclaimed London art collective Hipgnosis, freelancing for Pink Floyd, The Kinks, Hawkwind, and Led Zeppelin. From blacklight posters to black metal, Joe Petagno's message of unrest has spanned generations and his art has crept into the very sinews of contemporary culture. Entartete Kunts is Joe's first public exhibit since 1979!

Chris Reifert is a legendary psychonaut of sickness! Born in California in 1969, Reifert has been drawn to the black flame of the bizarre seemingly since birth. Raised on monster flicks and horror comics, Reifert descended into the early 80's metal underground and at the age of 17 bashed the drums on Death's ground-breaking debut LP Scream Bloody Gore! Shortly after parting ways with Death in 1987, Reifert formed the cult Bay-area band Autopsy, noted for their fusion of Black Sabbath-inspired doom riffs and thrashing death metal aesthetics. Reifert continues to remain active with Abscess and side-projects Eat My Fuk, Ravenous, and Mirror Snake and increasingly garners attention for his creepy pscilocibin-infested drawings and paintings. Reifert's artwork often depicts strange worlds of anatomical atrocities, impossible architecture, and eyeballs! Lots of eyeballs. "What you see, " he explains, "is what happens when the conscious mind is shut off and the weird world of inner visions is put onto paper or canvas...Who says daydreams and nightmares have to be kept separate?"

Drew Elliott always seemed like such a nice guy. Who would ever suspect that this soft-spoken boy next door would go on to become a serial monster artist and help launch death metal illustration as it is known today?? Emerging during the 80's zine movement, Drew's drawings first appeared in Blatch and Black Market before he earned world-wide underground recognition with album covers for death & thrash acts such as Necrophagia, Blood Feast, Hellion, Indestroy, Post Mortem, and Amorphis. Drew provided art for the Metal Blade compilations Speed and Complete Death as well as New Renaissance comps Thrash Metal Attack, Speed Metal Hell, and Satan's Revenge, all highly sought by rabid collectors today. More recently Drew has provided tour shirts for Nachtmystium and SUNN O))). Drew can also do more push ups than you so don't fuck with him.

Rev. Kriss Hades is a psychedelic black metal surrealist hailing from Melbourne, Australia. Widely regarded for his extreme electric guitar work for pioneering death metal act Sadistik Exekution, his visionary creations range from cyber-surrealist images to transgressive religious art and realms of otherworldly science fiction. Currently operating as a solo noise artist, his mesmerizing live multi-media performances combine abstract and unrelenting virtuoso electric guitar with nightmare film images and animations of his unique artwork. Hail the harbinger of chaos!

Conny Cobra is the finest German export since Doro Pesch and Destruction! Born in 1976 in Karl-Marx-Stadt, East Germany on Valentine´s Day, Conny apprenticed at a newspaper printing shop before graduating from Dresden Art Academy with a major in painting, drawing, and mixed media. After realizing that "most artists at academies suck", Conny converted a dilapidated butcher shop into an art studio and on June 6th, 2006 launched her very own underground art gallery Knark-Art! Alternately brutal and sensual, Conny's work is characterized by an abstract occult sensibility and raw black line work. She continues to roam the land like a full-metal valkyrie with no time, no money, a billion ideas, and a burning soul!

Manuel Tinnemans takes the high road to Armageddon. This Dutch artist's meticulous compositions are infused with alchemical symmetry, understated grace, and moody stained-glass textures. There is a transcendent quality to Manuel's best work that would be almost ecclesial if not for its primal death-curse aesthetics. He has created art for Pentacle, Necrophagia, Sauron, Horrible Eyes, Urfaust, Fluisterwoud, and Galgeras. Not content to sit silently at a drawing table, Manuel also provides the ultra low-end bass bludgeoning and throat for Bunkur and organizes the Ashes to Ashes...Doom to Dust festival. He also designed the spectacular logo for this year's Entartete Kunts exhibit!

Nor Prego is Spain's undisputed king of the undead! Born too late in 1977, Nor hails from A Coruña and cites John Buscema, Simon Bisely, and Robert Crumb as principle early influences. He has created album covers for Machetazo, Looking For An Answer, Brody's Militia, and W.T.N. as well as label art for Living Dead Society records. Since 2003 Nor has earned his keep with a tattoo gun, branding his muscular designs upon that tastiest of all mediums: human flesh! "Tattooing," the artist states, "strikes me every day and opens up new possibilities and is now a part of my life!" Nor continues to draw inspiration from pre-1989 horror movies, comics, music, and his close friends. As well as his enemies. Whom he shall soon see driven before him and hear the lamentations of their women. Long live the black ink!

Glenn Smith is an Australian art mercenary existing in a realm where comic art, poster art, and fine art collide. A self publisher, curator, and creator of wildly imaginative images, "Glenno" is most comfortable paying the rent by employing his remarkable illustration skills for such underground ear-grinders as Conquest for Death, Agents of Abhorrence, Pod People, Blood Duster, and Captain Cleanoff. His illustrations regularly appear in magazines such as Australia's Unbelievably Bad and he also masterminds the hilarious black metal parody project, Necrotardation. His work in this year's Entartete Kunts exhibit includes a stunning tribute to Roky Erikson and the 13th Floor Elevators!

Strephon Taylor first unleashed his morbid proclivities upon an unsuspecting world as the beer swilling, devil worshipping teen singer for cult 80's thrash brigade Sacrilege B.C.! He recorded two LP's and pulled off tours of both the U.S. and Europe before the band went down in a firestorm of denim, dope, and brimstone. Since the late 80's Strephon has stepped away from the wreckage of underground music and into his true creative depths as an inspired graphic artist, working on Wacky Packages and Silly Cd's and launching his own line of t-shirts called November Fire. Strephon continues to command painstakingly detailed watercolor canvases that seem to curse, moan, and howl for the viewer's undivided attention. With burly brushstrokes and a mortician's wit he creates swirling claustrophobic masterpieces of the macabre that resemble nothing so much as tortured delirium tremens frozen in amber and indigo. Dropping acid in the graveyard never looked this good!

T. Ketola is an occultnik artist and freelance designer hailing from Finland and currently residing in Italy. Born in 1975, Ketola has been creating underground iconography since the early 1990's including collaborations with Dismember, Watain, Kaamos, Deathspell Omega, Funeral Mist, Dead Congregation and Teitanblood. He is also credited with designing Dissection's amazing death-head-on-wings insignia. A former zine editor and self-publisher, Ketola is currently focusing on book design and traditional woodcarving. His illustrations have recently graced the cover and interior of Thomas Karlsson's Qabalah, Qliphoth and Goetic Magic, released in the U.S. by Ajna Bound Publiciations.

Joseph A. Smith unknowingly earned his place in metal history when a 17 year old Swedish boy name Tomas Forsberg swiped his goat illustration for the very first Bathory LP cover! That image, one of many spectacular and hugely influential works Joe provided for Erica Jong's coffeetable grimoire Witches, has since appeared on more denim & leather jackets than nearly any other heavy metal motif. He hardly needed the attention. Joseph A. Smith was born in 1938 and after graduating from Pratt Institute with Dean's medal in 1958 he has enjoyed twenty one solo exhibitions and has been included in over one hundred group exhibitions throughout the United States. His illustration work has appeared in the pages of Time, Newsweek, and Harpers and is represented in public collections in the U.S., Germany, Cypress, Japan and Mexico. He authored The Pen & Ink Book, wrote & illustrated the Circus Train, as well as some 50 children's books! Since 1961 Joe has been employed at Pratt Institute as Professor of Fine Art and he intends to remain so "until they decide to bury me on the campus."

French is the somewhat misleading moniker of this prolific young art shredder hailing from Aldershot, U.K.! Widely exhibited throughout the world, French's sharp style combines impeccable penmanship, imaginative (de)composition, and flights of surreal gore-splattered fancy. Inspired by war, darkness, gross anatomy, nature, skateboarding, and heavy metal, he has created a massive body of work and a small intestine's length of high rolling clients including Vans Footwear, Century Media Records, Virgin Music, Zero Skateboards, and Portland's own monolithic Nike. French's detailed designs draw a thin line between mainstream cool and underground nausea, full of tongue-in-cheek wit but stopping short of lazy hipster irony. Death hasn't looked this fun in a long time!

Musta Aurinko is a self-styled occultist, explorer of the unknown, and gazer beyond the veil of Maya! Seemingly conjuring atavistic impulses and esoteric phenomena with each new work of art, Musta attempts to give proper form to the formless, to bring vision to the void. Since her early childhood in Moscow she has recognized her innate magical sensitivities as "both a gift and a curse", invoking the Black Sun and forging past mere metaphorical work toward the essential path of liberation. Her heavily shaded drawings recall the satanic splendor of Rosaleen Norton and she similarly bridges worlds in an effort to transcend the bounds of this earthly sphere. Musta's illustrations, symbols, and logos have graced black metal, dark ambient, and experimental electronic projects including Black Seas of Infinity and Blackdeath. Entartete Kunts is Musta Aurinko's first international exhibition.

Paul "Unhinged" McCarroll is a Belfast born artist and din-merchant residing in sunny Northern Ireland, casting his spurious scrawls upon the extreme music underworld from his hermetic cell. A variety of mediums and styles have been inflicted on such luminaries as Regurgitate, Primordial, The Exploited, Adorior and many more including his own dank outsider-metal machine Scald. Digital painting is now the favored expression of contempt, with wounds undressed and entrails lovingly arranged, Paul chuckles at blasphemy and peels another scab from the mask of humanity.

Bobby BeauSoleil was born under the sign of the scorpion in 1947 in Santa Barbara, California. Roughly translated, Beausoleil means "Beautiful Sun" and Bobby has seized this meaning in more recent years by capitalizing the 'S' for emphasis. The name itself betrays certain artistic and spiritual coordinates. It has also inherited a stinging irony. Bobby is a convicted murderer and has been in prison since his arrest in 1969 following a drug deal gone horribly wrong. As a teen runaway and free-booting musician during the late 60's Bobby frequently jammed with Charles Manson and often visited his commune at Spahn Ranch in Death Valley. This was a relationship he would soon regret. While he sat in Los Angeles County jail on one count of murder in the first degree, several members of Charles Manson's "family" invaded two wealthy homes in the Hollywood Hills and effectively decimated the already strained hopes of the Aquarian youth movement. The brutal massacre that unfolded those dark nights in 1969 and the inflammatory graffiti scrawled across the Tate-LaBianca households would forever associate BeauSoleil with the enduring hysteria of the Manson mythos. It is an association that has cast a dark pall over his otherwise peaceful life and prodigious creative achievements. Remarkably, nearly 40 years in prison have neither stripped his humanity nor contained his spirit. Bobby is a living embodiment of Milton's Bringer of Light and a Luciferian force of the will triumphant. An artist, musician, husband, father, and friend, Bobby's contributions to Entartete Kunts were created within the confines of prison and are clearly the residue of deeply personal erotic imaginings and whimsical reflections of life beyond razor wire.

Dennis Dread is a ballpoint necro-wizard and spends his evenings hunched over a drawing table in a moldy basement, howling at the moon and raising the dead! Born at home in 1972 in New York's folklore-rich Hudson River Valley, near influential historical locales such as Sing Sing Prison and Sleepy Hollow, he enjoyed a childhood of monster movies and home-made comic books and at the age of 18 began silkscreen printing for the infamous terrorist t-shirt company Mutilation Graphics. At some point during a stint of booze-fueled travels, Dread jumped off a freight train passing through Portland, Oregon and the "city of roses" has served as his headquarters ever since. Dread's visceral and obsessively detailed ballpoint pen drawings regularly appear in zines and on metal and punk records, including work for such extreme-noise luminaries as Abscess, Darkthrone, Abigail, Phobia, and Engorged. Dread edits and self-publishes the long running underground art magazine Destroying Angels and is the curator of Entartete Kunts! Buy him a beer and wish him luck…







Justice. X does good 14 06 2008
 






BARTLETT ZINE 13 06 2008
 www.wearetherobots.com






BON SCOTT 13 06 2008
 The Bon Scott Project -
Bon to Rock’n’Roll
Fremantle Arts Centre puts the
spotlight on one of rock’s leading lads
17 MAY - 29 JUNE 2008


http://www.fac.org.au
http://www.bonscottblog.com



Inspired by Australia’s most iconic rock and roller, the Bon Scott Project is a multi-faceted program celebrating and critiquing the life and times of Bon Scott, lead singer and co-lyricist of AC/DC (1974-1980). The exhibition is presented by Fremantle Arts Centre, in the city where Bon grew up and where his grave, now listed by the National Trust, is the most visited in Australia.

The Project sets out to uncover how notions of masculinity, remembrance and rebellion coalesce around the iconic figure of Bon Scott. How these notions play out in relationships forged between Bon, the curator, his fans and the nineteen artists in the spaces of the gallery, the street and the web are
also explored.

The Project is led by three works which have the capacity to stimulate interest in the question of public art. Lucas Ihlein was commissioned to write a blog, http://www.bonscottblog.com , for the public sphere of the World Wide Web that records his experience as a non-fan coming to know Bon through the eyes and ears of the fans. Ihlein is also curating the LED welcome sign situated on the main road into Fremantle. Bon’s lyrics and messages from fans are being transmitted during the exhibitions and shown on the blog. Bevan Honey’s Apparition sees Bon’s face stencilled onto the southern pylon of the Stirling Highway Bridge, appearing only sporadically depending on the time of day and the atmospheric conditions. For those missing Bon, self-described professional mourner Tanya Visosevic (Madam TV) is also on hand to connect callers to Bon whom she channels in a live videophone performance.

A group show of sixteen artists across the Centre’s five galleries presents new works by artists who are fans and non-fans alike. Notable inclusions are Stuart Bailey (NSW), who has created a bootleg merchandise stand designed to cash in on the profile of the newly bronzed Bon Scott memorial statue; Richard Lewer (VIC), whose charcoal wall drawing of AC/DC members mingling with church figures references his strict Catholic upbringing; Ian Haig (VIC) whose animation recreates his excitement as an eleven year old seeing AC/DC perform at his local shopping centre; and Guy Benfield (New York) whose video characterises the artist as a quixotic figure for whom ‘it is a long way to the top if you want to rock ‘n’ roll’.

These works and many more are framed by the first curated exhibition of Bon Scott’s letters, compiled by curator Katie Dyer; a panel discussion on the unlikely topic of The Ugly/Sexy Factor: Bon and Fashion; and the creation of two bands - a house tribute band, FAC/DC, with its line-up drawn from notable Western Australian acts, and the hit-interpreting Dolomiten Polka Band.

The Project’s eclectic structure is a reflection of Fremantle Arts Centre’s multi-arts role and its increasing desire for local resonance and international reach. The Project is unashamedly framed by the interests of the Centre’s staff, who have jointly developed a generative programming methodology which seeks to value uncertainty, rigour and participation. A first for Australia and indeed the world, the Bon Scott Project opens up a far-reaching conversation between fans, artists and the community and unites them through the power of rock‘n’roll!

The Bon Scott Project is made possible through the support of the Western Australian Department of Culture and the Arts, the Australia Council for the Arts, and the Gordon Darling Foundation.

BON SCOTT PROJECT
FREMANTLE ARTS CENTRE
17 MAY - 29 JUNE 2008
http://www.fac.org.au
http://www.bonscottblog.com

Curated by Jasmin Stephens
Featuring Stuart Bailey (NSW)
Guy Benfield (USA)
Adam Cullen (NSW)
Rebecca Dagnall (WA)
Cecilia Fogelberg (VIC)
Alex Gawronski (NSW)
Ian Haig (VIC)
Bevan Honey (WA)
Matthew Hunt (WA)
Lucas Ihlein (NSW)
Richard Lewer (VIC)
Michael Moran (NSW)
Ryan Nazzari (WA)
Vanila Netto (NSW)
Nat Paton (QLD)
Scott Redford (QLD)
Eli Smith (WA)
Martin Smith (QLD)
Tanja Visosevic (WA)


Fremantle Arts Centre is located at 1 Finnerty Street, Fremantle

Ian Haig
still from Eastland Shopping Centre, September 1975
2008, digital animation
duration 1:20 minutes
Courtesy and Copyright the artist







GRAVETEMPLE A1 poster 10 06 2008
 Art: Justin Bartlett






Blackmetal owns you 07 06 2008
 Great download site

http://blackmetalownsyou.blogspot.com/






Amazing download site 04 06 2008
 http://bloodistruth.blogspot.com/





Resonance FM 04 06 2008
 RESONANCE FM interview
Hello again

We were the recipient of a feature interview on Resonance FM (www.resonancefm.com) which is set to broadcast on June 24th within the program Hour of the Apocalypse (www.myspace.com/thehouroftheapocalypse)



The Hour Of The Apocalypse - A Death In June

Welcome back. The June special of The Hour Of The Apocalypse will feature the following shows, broadcast every Tuesday night in June from 10 to 11pm on Resonance104.4FM (www.resonancefm.com).

June 3
The Hour Of The Apocalypse - A Summer Solstice Quartet Part 1

Tor Lundvall: Seasonal ambience from the painter, musician and neo-folk collaborator.

www.torlundvall.com


June 10
The Hour Of The Apocalypse - A Summer Solstice Quartet Part 2

Peter "Sleazy" Christopherson: Electronic mastermind behind Coil presents tonight's show; remembering John Balance and mentioning his current musical outing, The Threshold HouseBoys Choir.

www.thresholdhouse.com


June 17
The Hour Of The Apocalypse - A Summer Solstice Quartet Part 3

Thighpaulsandra: Legendary collaborator of Coil, Spiritualised and Julian Cope talks about inspirations and controversial artwork.

www.thighpaulsandra.com


June 24
The Hour Of The Apocalypse - A Summer Solstice Quartet Part 4

Stephen O'Malley: Self-described "power-ambient" artist of Sunn O))) discusses his penchant for ambiguous artwork.

www.southernlord.com
www.southern.net


Thanks for reading

SOMA





GRAVETEMPLE London 01 06 2008
 Poster by Matt Grundy - www.diecastdesign.com






01 06 2008
 






NIPLETS! 30 05 2008
 






Serra in Paris 30 05 2008
  Richard Serra in Paris

From his first visit in 1965, to MONUMENTA 2008, Paris has played an important part in Richard Serra's life and career, with shows of work at the Centre Pompidou, and in public spaces at the Tuileries gardens and La Défense. Next, the Grand Palais. As Serra himself says: 'This return to Paris means a great deal to me.'

Richard Serra discovered the French capital as a young man in 1965, on his first transatlantic trip. A recent graduate of Yale University, he encountered a city basking in its long-held reputation as a major capital of the arts. Some of the greatest modern artists (Picasso, Giacometti…) were still living and working in France, although just a year earlier, Serra's fellow American Robert Rauschenberg had won the prestigious Golden Lion at the Venice Biennale, marking the beginning of a shift in the epicentre of the modern art world, from Paris to the United States. Richard Serra met his friend the composer Philip Glass on the same trip, and saw Giacometti at La Coupole: 'Around midnight, Alberto Giacommetti would arrive, covered in plaster. One evening, after seeing us watch him night after night, he invited us to come to his studio. I went along, he wasn't there.' Serra also visited Brancusi's reconstructed studio at the Musée National d'Art Moderne, on an almost daily basis. 'It was there that my transition to sculpture took place,' he said later. It was indeed during this stay in Paris, and the subsequent journey to Italy, that he discovered his definitive vocation as a sculptor, the starting-point for the development of his later work, rooted in the phenomenon of gravity.

Richard Serra returned to Paris in 1983 for his first solo exhibition at one of the city's public art institutions, the Centre Pompidou. In addition to the selected major works at the Musée National d'Art Moderne – from Belts and House of Cards to Circuit – Serra also created an imposing public sculpture, Clara Clara. Together with the exhibition's curator Alfred Pacquement and the director of the Musée National d'Art Moderne, Dominique Bozo, Serra decided to install the work's two immense steel 'parentheses' in the Tuileries gardens. The two curved steel sheets faced each other without touching, enacting a radical spatial modification of the extraordinary site, originally designed by Louis XIV's landscape architect Le Nôtre. The axis of the Champs-Elysées provided a striking perspective for this major work, one of the very first in which Serra chose to work with curves and oblique lines.

In 1984, another work by Richard Serra was installed on the plaza at La Défense. Slat comprises five steel sheets, balanced one on top of the other like a gigantic house of cards. Only four sheets are visible from 'outside' the sculpture: only by penetrating the space of artwork itself can we see the fifth sheet, separating it into two unequal halves. The viewer's gradual discovery of this work is inextricably linked to his or her movement around and within the sculpture: we are never in a position to apprehend the piece in its entirety.

Shortly after this, Serra was invited to create a number of other artworks in France: Philibert et Marguerite in the cloister of the Musée de Brou at Bourg-en-Bresse (1985), Octagon for Saint Eloi (1991) in the village of Chagny in Burgundy, and Threats of Hell at the CAPC (Musée d'Art Contemporain) in Bordeaux. Later, he went on the receive a number of private commissions from patrons based in France.

Recently, however, Serra has been absent from the French scene. Now he is returning to Paris to present a new work conceived specifically for one of Paris's most prestigious sites: the Grand Palais. The new sculpture will not be seen out of doors, but will engage with this eminently Parisian work of architecture: an immense, light-filled space, a formidable challenge for a truly exceptional artist.

www.monumenta.com/2008

Slodeshow of Serra's more recognized works of the past 40 years:

http://www.monumenta.com/2008/content/view/47/1/lang,en/







CROWLEY 29 05 2008
 Crowley artworks on show in Paris...

Ordo Templi Orientis has been working with the Centre Pompidou, the Warburg and the Palais de Tokyo to assist, in a minor way, with two truly important art shows, both featuring works by Aleister Crowley.

FIRST SHOW:
CENTRE POMPIDOU — TRACES DU SACRÉ
May 8 - August 11
The Centre Pompidou in Paris is mounting a show commemorating the anniversary of its founding as the most prominent state-owned museum of modern art in France, titled “Traces du Sacré.” The show opens to the public on May 7 in Gallery 1, and runs until August 11. The curators have assembled a wide-ranging exploration of spirituality and esotericism in Europe and America in last century, drawing on their own holdings as well as those of other institutions and collectors around the world. The Warburg Institute has kindly loaned four newly-restored Thoth Tarot paintings by Aleister Crowley and Frieda, Lady Harris: The High Priestess, The Hermit, The Moon and The Aeon. One important, previously unknown Aleister Crowley oil painting will be included in the “Great Initiates” section of the show, kindly loaned by the owner of the group of paintings that form the second Palais du Tokyo show (discussed in detail below, this show runs concurrently with the Centre Pompidou show for a month from June 5). Also on view will be Cameron’s remarkable large-scale portait of Jack Parsons, “Dark Angel” — all part of the curatorial take on the “Lucifer Rising” mythos of Kenneth Anger. Also featured are works by Harry Smith, Jordan Belson and many others influenced directly or indirectly by Crowley and his students. Of course the overall context of the show, including Arp, Brancusi, Chagall, De Chirico, Dali, Dix, DuChamp, Giocometti, Goya, Kandinsky, Klee, Kupka, Miro, Mondrian, Munch, Picasso, Warhol etc. etc., is breathtaking. That Crowley should be included with these artists in a retrospective — one that takes into account the incredibly influential spiritual and artistic undergrounds — is groundbreaking. A comprehensive catalog will be available for purchase. After Paris, a smaller group of works (that will not include the Crowley-Harris Thoth paintings) travels to Münich.

The Centre Pompidou’s own English show synopsis (as of late fall of last year and therefore subject to change) is as follows:

SYNOPSIS
Title: Traces du sacré
Site: Centre Georges Pompidou – MNAM
Dates: 7th May 2008 – 11th August 2008. Paris
Theme: The relations between spirituality and Western art of the 20th Century
Curators: Alfred Pacquement, Jean de Loisy, Angela Lampe
Number of works: about 350 (including documents)
Second venue : Haus der Kunst, Munich, 11th September 2008 – 11th January 2009
The Centre Pompidou is in preparation of a major exhibition that will explore some of the predominant aspects in the relationship between Western art and spirituality. This inquiry will have as its foundational starting point, within the history of art, the faith-seeking vision undertaken by the German Romantics, as well as a Nietzscheian philosophy that sought a revaluation of society, proclaiming the death of God. The 20th Century was ushered in deep within this tumult of upturning beliefs, within the modernization of Western societies, heavy with what Max Weber asserted as the “disenchantment of the world.” The combating forces of capitalism and Marxism, the triumph of industry, the rapid development of the urban landscape, the spread of psycho-analytical theories, the rise of utopian tendencies, all pushed modern man further and further into not only reconsidering his religious stance and his place within existence, but into being forced, compelled, necessitated into reconsidering this spiritual orientation. This spiritual crisis unleashed a host of new forms within the metaphysical questioning of art. From Wassily Kandinsky to Francis Bacon, from Barnett Newman to Bill Viola, from Brancusi to Cattelan, modern art continually forms diverse and opposing responses to this spiritual interrogation, sometimes as answer, sometimes as further question.
The aim of this exhibition is to explore, throughout the 20th Century, the most outstanding artistic expressions of this spiritual quest and to show how it continually, up to the present day, invents new, dynamic signs.
The exhibition follows a chronological path and deals directly with many of the major aesthetic movements of the 20th century; a rich documentation will clarify and support their historical, cultural, and philosophical contexts. Each room is separately devoted to a specific response to the spiritual crisis. In order to evaluate the permanence of these responses through the century, each specific room, in building historical moments, will also include the work of a contemporary artist. To highlight the universality of the inquiry, a few non-western works will also be included.
(This following non exhaustive list is the one of the exhibition in Paris. The second venue in Munich will present a reduced, concentrated version. Works only shown in Paris)
* Metaphysical anxiety: Christian Boltanski, Mounir Fatmi, Bruce Nauman
* Dead of God: Francisco Goya, Caspar David Friedrich, August Strindberg, Edvard Munch, Henry De Groux, Lucio Fontana, Gino De Dominicis, Carl Gustav Carus
* Nostalgia for the infinite: Giorgio De Chirico, Odilon Redon, Ferdinand Hodler, Pierre Huyghe, Constantin Brancusi, Gina Pane, Damien Hirst
* The great initiates: Jean Delville, Charles Sellier, Rudolph Steiner, Aleister Crowley, Hugo Ball, Gino De Dominicis
* Syncretism: Paul Elie Ranson, Hilma Af Klint, Marcel Duchamp, Akseli Gallen Kallela, Piet Mondrian, Usco
* Aura: Frantisek Kupka, Marcel Duchamp, Theo Van Doesbourg, Vassily Kandinsky, Yves Klein, James Lee Byars
* Metaphysical Science: Frantisek Kupka, Kasimir Malevitch, Yvan Kliun, Augusto Giacometti, Rudolph Steiner, Paul Sérusier, Anish Kapoor, Frank Scurti
* Cosmogonics: Andrej Belyj, Hilma Af Klint, Johannes Itten, Gulya Pap, Sigmar Polke, Augustin Lesage, Matt Mullican
* Crystal: Hermann Obrist, Wenzel Hablick, Kurt Schwitters, Hans Scharoun, Johannes Molzahn, Hermann Finsterlin, Wassili Luckhardt, Pablo Picasso, Pierre Huyghe, Corey Mc Corkle, Akunov
* Homo novus: Paul Klee, Andrej Belyj, Jean Delville, Umberto Boccioni, Otto Dix, Marc Chagall, Frantisek Kupka, Alexej von Jawlensky, Adel Abdessemed
* The Absolute: Piet Mondrian, Kasimir Malevith, Constantin Brancusi, Niele Toroni
* Eden: Franz Marc, Vladimir Baranov-Rossiné, Erich Heckel, Jean Arp, Paul Klee
* Dance: André Derain, Emil Nolde, Vaslav Nijinski, Antoine Bourdelle, Mary Wigman, Ernst Kirchner, Léon Backst, Adolphe de Meyer, Auguste Rodin, Rudolf Von Laban
* Discovering other spiritualities: Emil Nolde, Pablo Picasso, Marcel Janco, Cameron Jamie, Aby Warburg et André Breton, Victor Brauner, Jan Matulka, Lee Miller, Roland Penrose
* Eros et Thanatos: Salvador Dali, Eli Lotar, Man Ray, André Masson, Pierre Molinier, Pablo Picasso, Stanikas
* Profanation: George Grosz, Max Ernst, Francis Picabia, Salvador Dali, Man Ray, Thierry De Cordier, Antonin Artaud, Mounir Fatmi, John Latham, Andrès Serrano
* Apocalypse: Vassily Kandinsky, Max Beckmann, Otto Dix, Wilhelm Lehmbruck, Murnau, Maurizio Cattelan, Douglas Gordon, Bruno Perramant
* Man of sorrow: Francis Bacon, Robert Smithson, Jerzi Grotowsky, Christer Strömholm, Bruce Nauman
* Room for St John of the Cross: Bill Viola
* The renaissance of religion after 1950: Maurice Denis, Georges Rouault, Fernand Leger, Henri Matisse, Le Corbusier, Germaine Richier, Jean Lurçat, Joseph Beuys, Jacques Lipchitz
* Despate of the night: Jean-Michel Alberola, Pierre Buraglio, Thierry De Cordier, Jannis Kounellis, Mark Rothko, Kris Martin, Yazid Oulab, Eli Petel, Emmanuel Saulnier
* Mythmakers: Matta, Wifredo Lam, Jackson Pollock, Mark Rothko, Barnett Newman, André Masson, Lee Mullican, Wolfgang Paalen, Robert Smithson, Tobias Collier
* Sublime: Barnett Newman
* Shamanism: Joseph Beuys, Hans Namuth/Pollock, Etienne-Martin
* Beat: Allen Ginsberg, Brion Gysin, Wallace Berman, Bruce Conner, Jay DeFeo, John Giorno, Henri Michaux, Jean-Jacques Lebel, Allen Ginsberg, Jack Kerouac, Aldous Huxley
* Lucifer Rising: Rick Griffin / Kenneth Anger, Cameron, Aleister Crowley / Frieda Harris
* Psychedelics: Isaac Abrams, Jud Yalkut, Pardo, Peter Segdley, Paul Thek, Patrick O’Neill, Usco, Harry Smith, Joshua White
* Sacrifice: Marina Abramovic, Rebecca Horn, Michel Journiac, Herman Nitsch, Yazid Oulab
* Zen: Nam June Paik, Robert Filliou, John Cage, Jean Degottex, Ad Reinhardt, Charwei Tsai, On Kawara, Roman Opalka
* Shadow of God: Andy Warhol, Moshe Ninio, Paul Chan
* Desecularisation: Jean-Michel Alberola, Jonathan Monk

SECOND SHOW
PALAIS DE TOKYO — LA CHAMBRE DES CAUCHEMARS: PEINTURES INCONNUES D’ALEISTER CROWLEY
June 6 - 29
This opening of the show at the Palais de Tokyo is June 5, 7-9 p.m. Kenneth Anger will be on hand at the opening and events are expected to be scheduled. This important show features a newly discovered trove of important oil paintings by Aleister Crowley. This amazing collection, owned by descendants of an artist-acquaintance of Crowley’s in Sicily, was only recently brought to light by Dr. Marco Pasi, the well-known Crowley scholar on the faculty of the University of Amsterdam’s graduate school in Hermeticism and Related Currents. Fifteen paintings of the sixteen in the collection will be exhibited — one, as noted above, is included in the Centre Pompidou show. A color catalog is being produced that will include articles by Dr. Pasi and others. This show is a rare chance to see a unified collection of oils that are of such quality that they may well provide the basis for the serious attention of art scholars and critics that Crowley’s painting deserves. Dating from his Cefalu period, they comprise an amazing collection of works produced when Crowley was at the height of his artistic powers.

http://www.lashtal.com/CP_MODULE_CROWLEY.pdf

Le Hiérophante (Tarot Card Study)

Oil on wood, 24.20 x 19 cm. Copyright © Ordo Templi Orientis.






25 05 2008
 






Dubin's bulgy pockets 25 05 2008
 






ETERNELLE IDOL & Hannah 25 05 2008
 








SUNN O))) live! 17 05 2008
 Within SUNN O)))'s live hiatus we decided to play in Norway, to celebrate the release of the "Dømkirke" 2LP.

9th August Oslo OYA Festival

This is the only concert scheduled for 2008. Dont miss it...





GRAVETEMPLE EU Juli 17 05 2008
 GRAVETEMPLE
Oren Ambarchi, Attila Csihar, Matt "Skitz" Sanders, Stephen O'Malley

7th July Rotterdam WORM (w/ASVA)
8th July Köln KULTURBUNKER MUEHLHEIM
9th July Paris Point FMR
10th July London ULU
13th July Birmingham SUPERSONIC (w/Harvey Milk, Earth, Asva) with Julian Cope

Related gigs:
6th July Amsterdam BIMHUIS (Oren Ambarchi & Stephen O'Malley solo sets)
12th July Birmingham SUPERSONIC (Oren Ambarchi solo)






Houdini 16 05 2008
 









Wuthering Heights 14 05 2008
 






GINNUNGAGAP Return To Nothing 14 05 2008
 LP sleeve design for this album, coming soon on Misanthropic Agenda on vinyl at last! mar009







14 05 2008
 






Vienna Rhiz 10th anniversary 11 05 2008
 Last week curated by Peter Rehberg.
Whitehouse, Haswell & Hecker, KTL, Markus Schmickler, Angel, BJ Nilsen

pics: Schmickler









The Last 10 Shots 11 05 2008
 






KTL vs Rhiz 070508 11 05 2008
 



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