21 04 2014
#3658

so your sound is different! who cares? sunn!


blvjgfuiqaa2yvv.jpg

Late 60s SUNN O))) amplifier advertisement.

21 04 2014
#3657

Présent Continu : interview Jean-Claude Eloy par Kasper T. Toeplitz


image_11.jpg

Présent Continu : interview Jean-Claude Eloy par Kasper T. Toeplitz

Présent Continu 
le Webzine de la création musicale
http://presentcontinu.com

vient de paraître Synthèse Croisée #1,
une interview (texte et audio) de Jean-Claude Eloy par Kasper T. Toeplitz

La synthèse croisée est cette technique musicale qui consiste à créer à partir de deux sons un troisième qui hérite de certaines caractéristiques du premier son et d’autres du second.

Pourtant, ce n’est pas tant aux sons que l’on aimerait s’intéresser ici mais plutôt à ceux qui les inventent, les manipulent et les mettent en forme : les musiciens, notamment ceux qui, dans leur production mais aussi dans leur vie, ont ainsi hybridé deux attitudes ou esthétiques, qui sont passés d’une vision de la musique à une autre, créant par là une forme nouvelle ; à moins qu’il ne s’agisse d’un positionnement face à la vie, pas seulement musicale. Une sorte de synthèse croisée de la pratique musicale elle-même, une hybridation venue de la nécessité.

 

21 04 2014
#3656

ANNE TERESA DE KEERSMAEKER "Vortex Temporum" (w/Gérard Grisey/Ensemble Ictus) Theatre de la Ville 28 APR- 7 MAY 014


screen_shot_2014_04_21_at_1_23_18_pm.jpg


screen_shot_2014_04_21_at_1_23_24_pm.jpg


screen_shot_2014_04_21_at_1_23_06_pm.jpg


screen_shot_2014_04_21_at_1_22_58_pm.jpg


screen_shot_2014_04_21_at_1_23_12_pm.jpg

http://www.theatredelaville-paris.com/spectacle-VortexTemporum-625

ANNE TERESA DE KEERSMAEKER / CHOREOGRAPHER
ROSAS CIE
ICTUS MUSICAL ENSEMBLE
VORTEX TEMPORUM (2014) creation

THÉÂTRE DE LA VILLE
FROM 28 APRIL TO 7 MAY 2014 see performance time
DANCE
LENGTH: 1H30

IN THE VORTEX OF TIMES
After En atendant and Cesena which had left us completely filled with the suavity of the 14th century Ars subtilior, Vortex Temporum leads us back to the very end of the 20th century. This piece, composed by French musician Gérard Grisey in 1996, is an instrumental sextet for flute, clarinet, violin, viola, cello and piano. It is performed on stage by the Ictus ensemble and displays a “polyphony of velocity” which is transposed by the choreographer of Rosas into a “dance of tempos”.

RATE E
FULL RATE
single rate 35€
YOUNG PEOPLE
single rate 26€

 

F

or Anne Teresa De Keersmaeker as one of the few distinguished choreographers who delights in intricacies of contemporary music, Vortex Temporum has been the piece around which her attention gravitated in the last decade. Rigorously constructed and refined in timbre, this mature work of the French composer Gérard Grisey offers, on the one hand, spectral harmony based on natural acoustic properties of sound, and on the other, a high sense of motility in circles and spirals—patterns in which performances of Rosas abound. Dancers of Rosas and musicians of Ictus pair up in a shared quest for composing various experiences of time. De Keersmaeker will search for how time contracts and expands, swirls and foliates in a choreographic counterpoint of sound, musicians' gestures, and dancers' movements and spatial dynamics.

More info: www.rosas.be

Choreography
Anne Teresa De Keersmaeker

Created with and danced by
Bostjan Antoncic, Carlos Garbin, Marie Goudot, Cynthia Loemij, Julien Monty, Michael Pomero, Igor Shyshko

Created with
Chrysa Parkinson

Music
Vortex Temporum, Gérard Grisey (1996)

Music director
Georges-Elie Octors

Musicians
Ictus

Piano
Jean-Luc Plouvier
Flute
Michael Schmid
Clarinet
Dirk Descheemaeker
Violin
Igor Semenoff
Viola
Jeroen Robbrecht
Cello
Geert De Bièvre

Light design
Anne Teresa De Keersmaeker, Luc Schaltin

Artistic advisor light
Michel François

Costumes
Anne-Catherine Kunz

Musical dramaturgy
Bojana Cvejić

Artistic assistant
Femke Gyselinck

Rehearsal director
Mark Lorimer

Artistic coordination and planning
Anne Van Aerschot

Technical management
Joris Erven

Sound
Alex Fostier

Assistant costumes
Valérie Dewaele

Sewing
Maria-Eva Rodriguez

Production
Rosas

Coproduction
De Munt / La Monnaie (Brussels), Ruhrtriennale, Les Théâtres de la Ville de Luxembourg, Théâtre de la Ville (Paris), Sadler's Wells (London), Opéra de Lille, ImpulsTanz (Vienna), Holland Festival (Amsterdam), Concertgebouw Brugge (Bruges)

World Premiere
Ruhrtriennale, October 3, 2013

Special thanks to
Thierry Bae, Jean-Paul Van Bendegem

Trailer by: Olivia Rochette & Gerard-Jan Claes
Recording by: Gerard-Jan Claes, Ruben Desiere & Olivia Rochette

© Rosas, Van Volxemlaan 164, 1190 Brussels
www.rosas.be
www.facebook.com/rosasdancecompany

21 04 2014
#3655

LISTEN: 37 track IDEOLOGIC ORGAN label sampler for BBC 0214 free download


tumblr_inline_mtitia0bli1qgry2z_3.jpg

In February the BBC asked us for some tracks from my EDITIONS MEGO imprint IDEOLOGIC ORGAN to play on the air.

I’ve now extended this sampler mix to include tracks from all of the artists that we have released, a total of 37 tracks by the following 14 artists:

Ai Aso
Ákos Rózmann
Eyvind Kang
Gravetemple
Iancu Dumitrescu
Jessika Kenney & Eyvind Kang
Mats Lindström
Nazoranai
Norbert Möslang
Okkyung Lee
Phurpa
Sir Richard Bishop
SUNN O)))
Wold

You can download the sampler (at 320kb MP3) for free here: http://goo.gl/ugC3XF

If you enjoy this music, we ask you to please check out the physical or digital version of the entire albums here:
http://editionsmego.com/releases/ideologic-organ/

Additionally, we are excited and proud to have the following releases planned and in process for release in 2014:

SOMA018 NAZORANAI 2LP/CD
SOMA019 PITA LP
SOMA021 ÁKOS RÓZMAN «12 stationer» 7xCD box
SOMA022 ATTILA CSIHAR 2LP

Thanks for listening.

(pic via Estelle Hanania’s great tumblr: http://estellehanania.tumblr.com)

19 04 2014
#3654

Gabriel García Márquez 1927-2014 RIP


gabriel_garcia_marquez_magical_realism_nobel_critical_evaluation_4_nonverbal_communication_expert_body_language_expert_speaker_keynote_consultant_las_vegas_los_angeles_orlando_new_york_city.png

Adieu, maître.

18 04 2014
#3653

A 13-year-old eagle huntress in Mongolia


74151931_76.jpg


74151933_82.jpg


74151929_73.jpg


74151935_84.jpg


74152805_composite.jpg


74244199_72.jpg


74245694_horse_976.jpg


74245692_family_976.jpg


74245693_class_976.jpg

FROM:http://www.bbc.com/news/magazine-26969150

A 13-year-old eagle huntress in Mongolia
By William Kremer
BBC World Service

A photographer who snapped what could be the world's only girl hunting with a golden eagle says watching her work was an amazing sight.

Most children, Asher Svidensky says, are a little intimidated by golden eagles. Kazakh boys in western Mongolia start learning how to use the huge birds to hunt for foxes and hares at the age of 13, when the eagles sit heavily on their undeveloped arms. Svidensky, a photographer and travel writer, shot five boys learning the skill as well as the girl, Ashol-Pan. "To see her with the eagle was amazing," he recalls. "She was a lot more comfortable with it, a lot more powerful with it and a lot more at ease with it."

The Kazakhs of the Altai mountain range in western Mongolia are the only people that hunt with golden eagles, and today there are around 400 practising falconers. Ashol-Pan, the daughter of a particularly celebrated hunter, may well be the country's only apprentice huntress.

They hunt in winter, when the temperatures can drop to -40C (-40F). A hunt begins with days of trekking on horseback through snow to a mountain or ridge giving an excellent view of prey for miles around. Hunters generally work in teams. After a fox is spotted, riders charge towards it to flush it into the open, and an eagle is released. If the eagle fails to make a kill, another is released.

The skill of hunting with eagles, Svidensky says, lies in harnessing an unpredictable force of nature. "You don't really control the eagle. You can try and make her hunt an animal - and then it's a matter of nature. What will the eagle do? Will she make it? How will you get her back afterwards?"

The eagles are not bred in captivity, but taken from nests at a young age. Female eaglets are chosen since they grow to a larger size - a large adult might be as heavy as seven kilos, with a wingspan of over 230cm. After years of service, on a spring morning, a hunter releases his mature eagle a final time, leaving a butchered sheep on the mountain as a farewell present. "That's how the Kazakh eagle hunters make sure that the eagles go back to nature and have their own strong newborns, for the sake of future generations," Svidensky says.

Svidensky describes Ashol-Pan as a smiling, sweet and shy girl. His photographs of her engaging in what has been a male activity for around 2,000 years say something about Mongolia in the 21st Century.

"The generation that will decide what will happen with every tradition that Mongolia contains is this generation," says Svidensky, who showed Ashol-Pan's family the photographs on his laptop. "Everything there is going to change and is going to be redefined - and the possibilities are amazing."

Ashol-Pan's family is shown the photos by Asher Svidensky


Correction, 17/04/14: This story has been amended to make clear that three of the photographs depict male eagle hunter Bahak Birgen and apprentice eagle hunter Irka Bolen.

Asher Svidensky spoke to World Update on the BBC World Service. Follow @BBCNewsMagazine on Twitter and on Facebook

18 04 2014
#3650

Good Friday Guitar Noise Afternoon Acid (Playlist 180414)


black_colors_front_cover.jpeg


330511519757.jpg


metric.jpg


r_2526082_1392498025_8991.jpeg


r_5035528_1382733354_2183.jpeg

Peter Kolovos «Black Colors» 3LP (Thin Wrist) (played at 33RPM)
Gate «Amerika» LP (Majora)
Gate «Metric» LP (Majora)
Gregor Cürten & Anselm Rogmans «Planes» LP (CN 501)
Flamen Dialis «Symptome-Dei» LP (Papaaver)

18 04 2014
#3649
| 1 | 2 | 3 | 4 |

[ARCHIVE]

ideologic.org | ©2017